YVES, from the “Weightlessness” collection, embodies a refined dialogue of geometric forms. In this object, transparent glass is delicately embedded into a solid mass of travertine, becoming a pure, crystalline sign — a luminous gesture that pierces through the weight of stone and evokes a quiet tension, a sense of suspended lightness.

The contrast between materials is not a collision, but a harmony of opposites: the dense and the translucent, the grounded and the ethereal. Here, heaviness and airiness are not in conflict — they coexist within a single, sculptural rhythm. The stone holds; the glass seems to breathe, to expand, to slip beyond its own limits.

This sensation of weightlessness is born not from the absence of mass, but from the balance between firmness and fragility — a dialogue of matter and spirit, earth and air.

The conceptual foundation of the work reaches back to Russian Suprematism — to the visionary search of Kazimir Malevich and Nikolai Suetin, who sought to liberate form from the confines of the physical world. Drawing from their legacy, Ira Boyko creates an object where stone becomes the keeper of stillness, and glass — its breakthrough, a movement toward the intangible.

YVES stands as a metaphor for equilibrium on the edge of change — a sculptural meditation on how thought, rendered through form, can transform weight into energy, and structure into light.