A sequence of minimal, nearly identical landscapes structured by a single horizon line dividing sky and earth. The horizon acts as a threshold — beyond it unfolds a boundless, almost immaterial space, where flickers of color and shifting textures suggest a contemplative, transcendental state.

This series consists of hand-cast, acrylic-coated plaster tiles. For Karev, the conveyor-like repetition involved in creating each piece becomes a means of approaching the limits and absoluteness of form. The tiles are recomposed at the artist’s discretion, while the space of the landscape remains unchanged, revealing the infinite potential of painting as a medium.

Created during the artist’s trip to Crete, these series of works continue the tradition of plein air studies. They reflect Karev’s ongoing engagement with observation, light, and the immediacy of the painted gesture.