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Marina BaiselAtelier MartisThibeau ScarcériauxSfossilsAlena MukhinaSofia KarnukaevaLumi UniNitush-ArooshIra BoykoMomoka GomiZlata KornilovaDROZHDINIAdriana MeuniéAlexandra VolskayaSee allPrivacy overview
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TAVA, Sculpture
Zlata KornilovaEphemerality. The passage of time. What proves fleeting is not the object — or the emotion — itself, but the attention we give to it.
Windows — the eyes of a house. Thresholds between different cycles of life. A passage through worlds that transform over time and reveal themselves differently to each of us.
The carved figures “living” within the wood possess a semi-mythical nature: lions, beregini — protective spirits — Sirin birds… each with its own visual language, mood, and character.
The window frame becomes a temporary refuge for these images and for human emotions — faith, joy, fear — all of which come alive when we look into them:
from the inside out, and back again.
From the gaze of the maker to the eyes of the beholder.
When something becomes so elusive, so spectral, that only its shadow remains.
Details
Material
Ash wood, brass, oil, wood surface treated with fire using the Yakisugi technique
Dimensions
78 x 23 cm
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TAVA, Sculpture
Have questions? Contact us
Ephemerality. The passage of time. What proves fleeting is not the object — or the emotion — itself, but the attention we give to it.
Windows — the eyes of a house. Thresholds between different cycles of life. A passage through worlds that transform over time and reveal themselves differently to each of us.
The carved figures “living” within the wood possess a semi-mythical nature: lions, beregini — protective spirits — Sirin birds… each with its own visual language, mood, and character.
The window frame becomes a temporary refuge for these images and for human emotions — faith, joy, fear — all of which come alive when we look into them:
from the inside out, and back again.
From the gaze of the maker to the eyes of the beholder.
When something becomes so elusive, so spectral, that only its shadow remains.
Details
Material
Ash wood, brass, oil, wood surface treated with fire using the Yakisugi technique
Dimensions
78 x 23 cm
About Artist
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Zlata Kornilova is a contemporary artist and sculptor from Russia. In her practice, she seeks to connect with time — capturing fleeting moments and preserving them through material. Through architectural forms and the color palettes of the cities she visits, Zlata explores the seamless intertwining of present and past.
Her artistic vision is inspired by the way nature and time transform man-made objects: sun-bleached paint, darkened wood, oxidized metal. She sees nature and time as the best decorators — and believes there is always something to learn from them.
A central theme in her work is the wooden box as sculpture — what she calls a “space for the soul,” a place where personal memories and fragments of life can be preserved.
Zlata Kornilova’s sculptural practice is a meditation on memory, nature, and invisible connection. Working primarily with wood, she transforms simple forms — often boxes — into vessels of reflection, imbued with poetic symbolism. Her surfaces echo the quiet traces left by time: weathered textures, faded hues, and subtle ornamentation drawn from architecture, embroidery, and natural decay. Influenced by myth, travel, and craft traditions, Kornilova weaves stories into her sculptures like threads — both seen and unseen. Each piece becomes a contemplative space, holding the tension between what is preserved and what is passing, and inviting the viewer to pause, listen, and remember.